39 MINS

#73 Seductive, with artist Rachael Dunville

Connection, Relationship, Intimacy, & Storytelling

Rachael Dunville, “Sim” (2006)  Chromogenic Print   ON HER WALL

Rachael Dunville, “Sim” (2006) Chromogenic Print

ON HER WALL


“I’ve never met a stranger.”

— Rachael Dunville (quoting her mom)

 

CAROLYN

CAROLYN and I conspired, long before the immediacy of the selfie-culture, to chronicle our overlapping obsessions—portraiture and her own disarming image.  

Since 2003, I've provoked my timeless, exhibitionist friend, exploring her projections of femininity, vanity, motherhood, and maturity. 

Objectifying her willing figure, I’ve observed the nuances of her illustrative gesture, her unabashed aging.  Decorative garments, or lack thereof, fail to disguise the tenor of her countenance, weaving between terse, lascivious, overwhelmed, or even void. 

These fifteen-years have revolutionized the medium of photography and witnessed the rise of digital narcissism in tandem with Carolyn’s vulnerable confessions.  I, too, shifted perspectives from behind my various lenses—from curious admirer to privileged spectator, from fellow collaborator to dedicated confidant.

What remains is an ongoing portrait of complicated, transformative self-identity as an Xennial woman.



NOTEWORTHY SINGLE SUBJECT WORKS

Nicholas Nixon “Sisters” (1978 Harwich Port, Mass. and 2010, Truro, Mass.)

https://www.nytimes.com/interactive/2014/10/03/magazine/01-brown-sisters-forty-years.html

Harry Callahan, “Eleanor”


Show Me State

SHOW ME STATE is an ongoing, 20+ year portrait of the Missourian allure in which I grew up and to which I belong.  With striking impunity, its residents (friends, strangers, and intimates) gaze straight into the camera, and therefore, straight into me.  This oscillating event, of looking and being-seen, circulates desire and tension—fundamental to the act of making a portrait.

In an era where reticence and obscurity define our mortal guise, where personal significance is tangled between selfies and self-worth, these individuals evince unflinching presence, eccentricity, curiosity, and vulnerability. 

Unveiled in our hushed interface is a state of emotional undress, an intuitive exchange, a subtle seduction between willing participants.  

ON THE WALLS of RACHAEL DUNVILLE

Matthew Pillsbury, “HBO’s Rome. Thursday October 13th 2005, 12-12:50am” from the “Screen Lives” series.   http://www.matthewpillsbury.com

Matthew Pillsbury, “HBO’s Rome. Thursday October 13th 2005, 12-12:50am” from the “Screen Lives” series.

http://www.matthewpillsbury.com

Katy Grannan, Claire (Burned) Baker Beach (2006), from  The Westerns    http://www.katygrannan.com

Katy Grannan, Claire (Burned) Baker Beach (2006), from The Westerns

http://www.katygrannan.com



If you like our show, please subscribe on iTunes, Google Play, or your favorite podcasting app, and please rate the podcast. And don’t forget to join the Neomodern Facebook group to discuss the show, share your photos, hear about specials for printing or framing your best images. Thank you!

#62 The Syntopicon: Russ, Doug, Kris and Nigel

This episode is our review and discussion of our first four guest shows — Russell Brown, Doug Menuez, Kris Sanford and Nigel Barker.

Doug Menuez, “Hacienda de San José del Refugio Amatitan” (2001),   from his book  “   Heaven, Earth, Tequilla   ”

Doug Menuez, “Hacienda de San José del Refugio Amatitan” (2001), from his bookHeaven, Earth, Tequilla

“Syntopicon”

“The two volumes that make up the Syntopicon comprise a distinctive kind of index. The term "syntopicon" means a collection of topics. In these two volumes there are nearly 3,000 topics parceled out among 102 ideas. The purpose of these volumes is to provide a subject-matter index to writings included in the Great Books of the Western World. Underlying the creation of the Syntopicon is the conviction that the books in this set have an overall unity in the discussion of common themes and problems. Such a unity exists because all of the books belong to the western tradition…” — (Philosopher and editor Mortimer Adler)

Our syntopicon will periodically insert episodes into the mix where we review and synthesize ideas and threads that move through different conversations with our guests. What does Russell Brown think of the use of Photoshop vs. journalist Doug Menuez. Or artist Kris Sanford. How did they learn composition? What photos inspire them? And so forth.


A few of my pictures from the Photowalk at Fort Point (Join our Meetup group to participate! Bay Area Photowalks)


If you like our show, please subscribe on iTunes, Google Play, or your favorite podcasting app, and please rate the podcast. And don’t forget to join the Neomodern Facebook group to discuss the show, share your photos, hear about specials for printing or framing your best images. Thank you!